Showing posts with label fiction. Show all posts
Showing posts with label fiction. Show all posts

Saturday, January 12, 2013

A work in progress

Special thanks to Nancy Sanders for inviting me to participate in the Next Big Thing Blog Hop. I was happy to share my latest book info below, but please don't miss the Blog Hop links at the end so you can meet four other authors and find out about their works-in-progress, too.

What is the working title of your book?

The Pirates of Time and the Navigator's Watch

Where did the idea come from for the book?

I'm not really sure. Most of my ideas come to me early in the morning while my mind wanders through a kind of no man's land of thought (before everyday issues take center stage). Once I have a plot idea, I focus on it and let ideas and dialogue play through my mind. Occasionally I brainstorm with my teens while we take walks in the evenings, because they sometimes suggest surprising twists which I haven't considered.

What genre does your book fall under?

Middle grade science fiction.

Which actors would you choose to play your characters in a movie rendition?

As far as my main character, I see a kid with scruffy brown hair who isn't afraid to look you in the eye in spite of being somewhat trouble-prone, because he's got an irreverent streak. Perhaps I could see a younger version of Liam James or Dylan Minnette for this part?

What is the one-sentence synopsis of your book?

Jackson Everly discovers his grandfather is the navigator who stranded a band of time-traveling pirates in WW2 Europe, and when their timepiece falls into Jackson's hands, he must evade them while he attempts to save his father, who no longer exists in his timeline, without sacrificing his friend.

Will your book be self-published or represented by an agency?

I don't know. I have worked in the traditional publishing industry, so I would choose the advantages of working with a team of publishing professionals if possible. I'd like to have an agent, because he or she would know more about contracts and publishing than I do, but if I don't get one, I'll do my best on my own. While I have considered self-publication, especially after my interview with Mark Jeffrey, I still think it's best to go the traditional route. Each pair of trained eyes which goes over a manuscript helps it become better.

How long did it take you to write the first draft of your manuscript?

The main body of the first draft took about six months. I hate to admit it, but the end is still trickling in. I got bogged down in WW2 research, but I've finally decided just to blast out the end and fix it later, otherwise I'll never finish. (I do know how it ends, by the way.) For the sequel, I wrote out some scene cards and rammed through it in a month during Nanowrimo. Of the two ways of writing, I think that the second way was the best way to go, because I tend to forget the beginning by the time I get to the end if I don't write quickly.

What other books would you compare this story to within your genre?

In voice, my writing group has told me that my writing is not unlike Richard Peck's writing (A Year Down Yonder, and A Long Way from Chicago), which I take as a mixed compliment, because I don't want to sound like anyone else. I just want to sound like me. On a good day, I might say it's also a bit along the lines of the 39 Clues series. (I'd rather not think about the bad days.)

Who or what inspired you to write this book?

From the time I was a kid, I've held Madeleine L'Engle up as a standard of great storytelling. A Swiftly Tilting Planet and Many Waters are particular favorites of mine written by her. I can't say they directly inspired me to write this book, but their influence has still had an impact on me as a writer. I particularly like stories that deal with time.

What else about your book might pique the reader's interest?

The key to my book is Jackson's motivation for what he does. He wants to know his dad better than he does from the letters which were written while his dad was deployed in the Middle East. Jackson's conflicting values give him an ethical dilemma, though. While he realizes it is in his power to change the timeline and at least attempt to bring his dad back, he also discovers that doing so will cause one of his best friends to never have been born. There is no way for him to do both.

So Jackson's initial problem is how to escape from furious pirates who have searched the world for years to find his family and take revenge on them, but the story-worthy problem is Jackson's choice of whether or not he is willing to sacrifice another person to be able to have a relationship with his dad.

TIME TO HOP! Please check out these great authors and find out what's up and coming from them:

John Manders, children's illustrator and author
Laura Knoerr, author of work-in-progress
 Jeff Mack, author and illustrator of Clueless McGee


Wednesday, October 28, 2009

Truth or Fiction?


Matt.10:26 "So have no fear of them; for nothing is concealed that will not be revealed, or kept secret that will not become known."

Fiction and truth – how can these two opposites possibly co-exist? How can a story with a made up plot and characters be truthful? Is fiction merely a fantasy and means for fleeing the truth, or worse yet, embellishing the truth?

Jesus didn’t think so. He used stories to reveal truths. Matthew 13:3-17 (Message) "What do you make of this? A farmer planted seed. As he scattered the seed, some of it fell on the road, and birds ate it. Some fell in the gravel; it sprouted quickly but didn't put down roots, so when the sun came up it withered just as quickly. Some fell in the weeds; as it came up, it was strangled by the weeds. Some fell on good earth, and produced a harvest beyond his wildest dreams.

"Are you listening to this? Really listening?"

The disciples came up and asked, "Why do you tell stories?"

He replied, "You've been given insight into God's kingdom. You know how it works. Not everybody has this gift, this insight; it hasn't been given to them. Whenever someone has a ready heart for this, the insights and understandings flow freely. But if there is no readiness, any trace of receptivity soon disappears. That's why I tell stories: to create readiness, to nudge the people toward receptive insight. In their present state they can stare till doomsday and not see it, listen till they're blue in the face and not get it. I don't want Isaiah's forecast repeated all over again:

Your ears are open but you don't hear a thing.
Your eyes are awake but you don't see a thing.
The people are blockheads!
They stick their fingers in their ears
so they won't have to listen;
They screw their eyes shut
so they won't have to look,
so they won't have to deal with me face-to-face
and let me heal them.

"But you have God-blessed eyes—eyes that see! And God-blessed ears—ears that hear! A lot of people, prophets and humble believers among them, would have given anything to see what you are seeing, to hear what you are hearing, but never had the chance."

Who was the farmer? Was he a real person? No. He was a character in Jesus’ story. And the story itself told a truth. Obviously, that truth was not immediately evident to everyone who heard the story. However, did that stop Jesus from telling it? No!

In the same way, we as writers should not hesitate to tell our stories just because some may not understand. We write for different audiences and in different ways. But, we must write in such a way as to tell the truth. And then, our writing will not be in vain. Wouldn’t it be worth the writing if just one soul got saved as a result? Or if one family stayed together? Or one child said “no” to temptation?

I think it is worth it, and so I write.